Global Vision/CitéLab offers complete solutions for digital intermediate needs. Our ARRILASER film recorder and extensive film and data expertise make it possible to bridge the gap between HDTV and 2K post-produced features or trailers and 35mm film projection.

Laser recorders have set a new standard for the quality of digital post-production, optical, special effects and restoration. ARRILASER offers unsurpassed resolution, dynamic range and color fidelity.

ARRILASER picture quality is renowned for fine details, saturated colors, high contrast, and solid image steadiness.


ARRILASER Speed Performance: 8 different pixel size - For recording at 2K, 4K and HD across 35 mm full aperture or academy format.

Color Management System (CMS, Video Look) - CMS bridges the gap between the color spaces of video and film. Allows color correction on a video monitor to be transposed accurately on the big screen.

Aquamat Automated image analysis which measures and corrects image quality (geometry, photometry, MTF, flare, signal to noise gamma, shading).

HD Module - Allows recording of native 1920 pixels per line (HD standard) for full aperture and academy formats.
Native Academy Module - Allows recording of native 2048 or 4096 pixels per line
(2K or 4K standard) across the academy window. 3-Perf Module - Allows recording on 3 perforation image height.

Camera Color Negative 5245 - Hardware and software modification which enables shooting on EASTMAN EXR 50D Color Negative Film 5245. Adds grain and softness to HD originated video.

Related services:
• Cinematographic laboratory
• Film scanning & color design

www.arri.com